Pearl Blauvelt - McDermott & McGough - Organized by Bob Nickas May 18 - July 31, 2007 A large group of drawings by the self-taught artist Pearl Blauvelt (1893-1987) will be shown alongside works on paper and paintings by the collaborative team McDermott & McGough.
	Thurston Moore - Street Mouth - April 7 – May 12, 2007 New York-based artist Thurston Moore’s first one-person exhibition, Street Mouth. Although better known as the highly influential, experimental musician and co-founder of Sonic Youth, Moore has created a suite of photomontages which are razor-sharp visual equivalents of New York`s underground music and poetry scene around the late 1970s -- primarily joyful noisemakers circulating around CBGBs, Max’s Kansas City and St. Marks Church.
	Les LeVeque - Repeating The End - March 4 - March 31, 2007 In Repeating The End, LeVeque re-edits the first 7.5 minutes of Francis Ford Coppola’s Apocalypse Now (1979), originally framed by the duration of the song, The End by The Doors.
	Molly Smith, October 18, - December 1 2006 One wave, one day was Molly Smith's first one-person exhibition. Deploying an economy of means, line, and gesture, Molly Smith's (b. 1976) installation of watercolors and painted plaster objects combine an ephemeral materialism with uncanny whimsicality.
	Ele D'Artagnan, June 28 - July 28, 2006 Ele D’Artagnan’s second one–person show in New York, featuring his visionary drawings and watercolors from the 1970s.
	Exhibition of paintings by Lucky DeBellevue, drawings by Jeff Davis and collages by Christian Holstad. June 28 - July 28, 2006 Lucky DeBellevue's new paintings wink knowingly at modernism. Jeff Davis' new series of pastel drawings look as if Tiepolo were drawing underground gay religious comics. Christian Holstad's collages from 2003 stage male couplings against a background of stylish '80s bathroom interiors.
	Bill Adams "New Work" May 3 - June 10, 2006 An exhibition of recent paintings and drawings. Bill Adams' works are crowded with figures and creatures, dissolving boundaries between civilized man and untamed beast. These pictures evoke an embattled psychology of "life during wartime", with an immediacy of line, spontaneity of form, and an urgency of purpose.
	Space Between the Spokes - March 22 - April 22, 2006 An anti-thematic show organized according to contrasts and differences between works, each of which ultimately points towards the specificity and singularity of each piece. What is emphasized is the role of the viewer in finding--or not finding--connections in works, but also in the space between.
	Birdie Lusch - "Collages" - February 15 - March 18, 2006 "Collages" consists of 24 collages from the artist's ongoing series exploring the myriad forms of flowers in vases. These exquisite collages were executed from leftover oddments including recycled envelopes, postage stamps and magazine cuttings, revealing Lusch's extraordinary touch, composition and sense of color.
	TODAY YOUR LOVE, TOMORROW THE WORLD - Thurston Moore, Jocko Weyland - September 14 - October 29, 2005 Today Your Love, Tomorrow the World introduces “the glam to hardcore diaries of Thurston Moore and Jocko Weyland.” These are not diaries in the traditional sense, but rather, visual artworks, based on the personal recollections of the alternative music scenes of each artist’s formative years. Moore and Weyland, both primarily known for work in other mediums, have created photomontages and photographs respectively, which explore the original incendiary allure of youthful rock n’ roll fandom from both the 1970s and 1980s.
	Bradford Bailey, Tova Carlin, Jacob Dyrenforth, Molly Smith, and Philip Travers, June 14 – July 22, 2005 An exhibition of works on paper featuring four exhibiting artists under thirty years old (Bradford Bailey, Tova Carlin, Jacob Dyrenforth, Molly Smith) and the work by New York-based artist, Philip Travers (b. 1914), making the case that vital, visionary new art can also be made by young and old alike.
	Robert Moskowitz , May 6 – June 11, 2005 Consisting of only three works, this exhibition is organized with a restrained nod towards Moskowitz’s distilled economy. Without claiming to be more “pure,” this approach to art and its reception contrasts, however, with the over-loaded experiences characteristic of art viewing today. With Jack for Jack, Moskowitz leaves an iconic American landscape emblazoned in our minds: dark, bleak, and essentially unforgettable.
	Jeff Davis, "MY DEEP DARK PAIN IS LOVE" - March 2- April 30 2005 Jeff Davis’ first solo exhibition. The show was comprised of recent work in three media; colored pencil drawings, watercolors and wax sculpture. Concurrently, Davis’ work was included in “Greater New York 2005” at P.S. 1 in Queens.
	Bill Adams, Wayne Gonzales, Cameron Martin - Paintings - October 27 - December 18, 2004 This exhibition will feature one large recent painting by each artist. Adams' "Contestant", Gonzales' "Pentagon", and Martins' "Avid and Unrivaled" share a certain quality of landscape, but are distinctly different pictures built on their own internal logic. It is in the differences from one to the other that things are revealed about the individual works and their makers.
	Postmarked: Real Photo Postcards 1907 - 1927 -May 19 - July 2, 2004 The postcards in this exhibition, Postmarked: Photo Postcards 1907-1927 are selections from the collection of New York-based artist, Harvey Tulcensky. This presentation does not set out to tell a general history of Real Photo Postcards, but rather to speak about particularities and unique properties of particular Real Photo Postcards.
	Colored Pencil - April 1 - May 8, 2004 In what amounts to a small scale survey of work featuring colored pencil as primary material, featuring the work of 69 artists.
	Bill Adams - February 18 - March 27, 2004 a large group of small-scaled works on paper made primarily with ballpoint pen and a select group of oil paintings on canvas.
	Suzanne McClelland - 2004 a selected survey of ten years of drawings and prints by Suzanne McClelland. Known for her gestural, language-based paintings, this was the first New York exhibition dedicated to the artist's graphic work. The works presented explored words McClelland chooses for the implications and the disparate voices they emit.
	Joanne Greenbaum - 2003 Known for her innovative abstractions that demand extreme concentration and physical control, Greenbaum continues to challenge the possibilities of drawing while exploring systems of structural disjunction. An exhibition that is concurrent with a presentation of new paintings at D'Amelio Terras.
	Ele D'Artagnan - 2003 Ele D'Artagnan was also a self-taught painter who floated in and out of the Italian Surrealist scene. Using found paper or board with whatever painting medium that was at hand D'Artagnan congured fantastic worlds charged with cosmic sexuality. This exhibition of work on paper made in the 1970's will be D'Artagnan's U.S. debut.
	"Ballpoint Inklings" 2003 Drawings by forty diverse artists using a ballpoint pen. Artist include: Alexander Ross, Carroll Dunham, Elizabeth Murray, Steve di Bennedetto, Russell Crotty, Joanne Greenbaum, Kate Shepard, Yuri Masnyj, Dan Fischer, Chelo Amezcua, Jonathan Lerman, and others. New York Times Arts & Leisure: "The Pen Mightier Than you Thought", Lyle Rexer April 13, 2003.
home | gallery | exhibitions | contemporary | outsider | contact