Philip Travers (b. 1914) studied with George Grosz in 1940, but his primary influence, like many of the younger artists in the show, is the culture of sampling and appropriation. Like Travers, Bradford Bailey combines image and text in humorous, cartoon-inspired drawings. Jacob Dyrenforth makes photo-based, meticulously executed, graphite drawings of pixilated images drawn from subcultures of the recent past. In her large-scale works on paper, Tova Carlin combines a myriad of techniques—drawing, printing, sewing, and collage—to create a collision of material, color, and form. Molly Smith, a recent Columbia University MFA graduate, makes watercolors that are characterized by her distinctive sensibility, including her light touch and uncanny whimsy.